front cover of Allergy
Allergy
The History of a Modern Malady
Mark Jackson
Reaktion Books, 2006
Every spring, summer, and fall it descends on us, bringing rounds of sneezing, headaches, and stuffed noses. It attacks through foods, animals, plants, and innumerable chemical combinations. It is among the most common and potentially lethal afflictions known. It has a unique history as both a medical condition and a cultural phenomenon. It is the allergy, the subject of Mark Jackson’s fascinating chronicle.

Only a century ago, allergies as we know them didn’t exist. Ailments such as hay fever, asthma, and food intolerance were considered rare and non-fatal diseases that affected only the upper classes of Western society. Yet, as Jackson reveals here, what began in the early 1900s as a scorned subfield of immunology research in Europe and America exploded into great medical, cultural, and political significance by the end of that century. Allergy traces how the allergy became the archetypal “disease of civilization,” a fringe malady of the wealthy that became a disorder that bridged all socioeconomic boundaries and fueled anxieties over modernization. Jackson also examines the social impact of the allergy, as it required new therapeutic treatments and diagnostic procedures and brought in vast economic rewards.

Whether cats, crabgrass, or cheese is the source of your daily misery, Jackson’s engaging and in-depth historical narrative is an invaluable addition to the history of medicine as well as to the history of culture. In Allergy, sneezing readers can discover themselves at the center of deep cultural currents.
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front cover of Broken Dreams
Broken Dreams
An Intimate History of the Midlife Crisis
Mark Jackson
Reaktion Books, 2021
The midlife crisis has become a cliché in modern society. Since the mid-twentieth century, the term has been used to explain infidelity in middle-aged men, disillusionment with personal achievements, the pain and sadness associated with separation and divorce, and the fear of approaching death. This book provides a meticulously researched account of the social and cultural conditions in which middle-aged men and women began to reevaluate their hopes and dreams, reassess their relationships, and seek new forms of identity and fresh pathways to self-satisfaction. Drawing on a rich seam of literary, medical, media, and cinematic sources, as well as personal accounts, Broken Dreams explores how the crises of middle-aged men and women were shaped by increased life expectancy, changing family structures, shifting patterns of work, and the rise of individualism.
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front cover of The Honky Tonk on the Left
The Honky Tonk on the Left
Progressive Thought in Country Music
Mark Allan Jackson
University of Massachusetts Press, 2018
Massively popular for the past century, country music has often been associated with political and social conservatism. While such figures as George Wallace, Richard Nixon, and Ted Cruz have embraced and even laid claim to this musical genre over the years, country performers have long expressed bold and progressive positions on a variety of public issues, whether through song lyrics, activism, or performance style.

Bringing together a wide spectrum of cultural critics, The Honky Tonk on the Left takes on this conservative stereotype and reveals how progressive thought has permeated country music from its beginnings to the present day. The original essays in this collection analyze how diverse performers, including Fiddlin' John Carson, Webb Pierce, Loretta Lynn, Johnny Cash, O. B. McClinton, Garth Brooks, and Uncle Tupelo, have taken on such issues as government policies, gender roles, civil rights, prison reform, and labor unrest. Taking notice of the wrongs in their eras, these musicians worked to address them in song and action, often with strong support from fans.

In addition to the volume editor, this collection includes work by Gregory N. Reish, Peter La Chapelle, Stephanie Vander Wel, Charles L. Hughes, Ted Olson, Nadine Hubbs, Stephanie Shonekan, Stephen A. King, P. Renee Foster, Tressie McMillan Cottom, Travis D. Stimeling, and Jonathan Silverman.
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